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What is art?

December 18th, 2017 5:01 am

There doesn’t exist a single compelling definition of what the word ART actually means, because the word is totally abstract and depends on the user, their education, their cultural heritage, their social experiences, their mental processes and a myriad of other factors. What is for sure is that what some people consider to definitely be art, others consider to definitely not be art. So let’s look at some of the elements that go to decide whether something is art.

  • Creativity. That someone, by their input, has taken something that isn’t art and made it into something that is art. So J M W Turner took some linseed oil, a box full of pigments and a piece of canvas and transformed them into The Fighting Temeraire. But also Marcel Duchamp took a mass produced men’s urinal and signed it “R. Mutt 1917” then said that it was art. A replica now sits in the Tate Modern. Today all that often matters is the “concept”, everything else on this list having lost importance.
  • Aesthetic value. Massively subjective, this is a whole branch of philosophy. Common definitions are a binary pleasure/displeasure construct that is obviously fallacious. An unpleasurable work can still be aesthetically appreciated.
  • Engender emotion. Delacroix’s Liberty Leading the People was locked away for 17 years because the French government were frightened of the violent emotions that seeing it would engender. Erotic art arouses completely different emotions as do bucolic scenes.
  • An artist. We all know that a Monet or a Turner was the sole creation of that one person. But Peter Paul Rubens had a workshop of more than 50 people, all creating stuff to his style and under his direction. Renaissance artists like Raphael did the same. Damien Hirst sells works that he has probably never touched. So it gets very difficult indeed to draw the line about how much an artist has contributed to what is attributed to them.
  • Originality. Leonardo da Vinci painted two Virgin of the Rocks, Manet painted two Le Déjeuner sur l’herbe. Pieter Bruegel the younger made a career out of selling copies of his father’s work. But it is with printing that repeatability really came to the fore, Durer’s prints are some of the finest works of art in history, but which is the art, the carved wood block, or the thousands of imprints run off from it? Warhol, with silk screening, took this concept further, when he died he had created 95,000 “original” works of art. So now many modern artists repeat their work to meed demand.
  • Craft. Renaissance artists served long apprentices when they learned all the many skills needed to produce works. Many people appreciate the oil painting virtuosity of Rembrandt, Velazquez, Titian and Degas. But now “art” can be created on a computer and just printed out. A five year old could do it.
  • Genius. The Renaissance treated artists as special, with God given gifts that were beyond mere mortals. Certainly the likes of Durer, Raphael, Monet and Turner were precocious and showed immense skill when they were mere children. We all know people who are naturally artistic, and people who most definitely aren’t. Until printing and photography came along it was easy to tell the difference, now we have gone and added computers to the mix. So, effectively, it is possible to be a successful modern artist with zero natural artistic ability.

You can see the problem here with struggling for a straightforward definition. And here is one thing of note, taking all the above into account the most common original work of art in the world could well be the humble haircut.

Read more at here https://www.bruceonarthistory.com/

Oil Painting for Beginners – Tools and Materials

June 21st, 2016 8:31 am

Basic oil painting tools and materials for beginners

Which oil painting tools and art materials do you really need to get started? When you first start to paint in oils, one common mistake often made is to buy too many tools and materials too quickly.

Why is this a ‘mistake’? There are two reasons. The first is that it can get very expensive as you’ll find a huge range of oil paint, solvents, oils, palettes, brushes, palette knives and all manner of things tempting you to splash the cash. But then, you might say, “I can well afford it, so now what’s the problem?”

The problem is that it’s better to start with a limited range of oil paints, a few well-chosen brushes, a home-made, large palette, and the minimum of inexpensive materials in large quantities so that you can experiment and really work at mixing colours, exploring textures and trying out techniques.

Once you’ve mastered oil painting and oil painting techniques, you can develop your own style and by then you’ll know which colours, which brushes, which canvases you are really going to use, and you can then go ahead and buy them.

This is in answer to the question asked by GA Anderson

What are the basic supplies needed to take up oil painting as a hobby?

Art Easels

You might be surprised to find that I’m going to start with an easel. I consider the easel to be the main art tool. Invest in a really good, solid, adjustable easel and it will last you your whole life.

An easel is expensive, but an expenditure well worth making. You can always buy second hand as a good easel is made to last.

I’m going to suggest three types of easel: a radial easel, a desk easel and a travel easel.

Radial Easel

This is the easel that I have and the one you should get if you have space to put it and you are fit enough to stand. This type of easel is the sort professional artists use and the sort you’ll find in art schools. It allow you to work on various sizes of supports and you can adjust it up and down, forwards and backwards.

You can move towards your work and then stand back to see what you have actually done. You can also draw with your whole arm and also place the support, (board or canvas), in the same plane as your subject.

This easel will fold up if necessary.

Studio easel

Although the radial easel is a studio easel, I have called the American easel a studio easel for the sake of clarity. These easels are stable and substantial. They will accommodate large works and are adjustable.

Desk easel

Get a desk easel only if you are not able to stand for long enough periods of time. The advantages of a desk easel are small size and ease of storage, but you will not be able to draw freely with your whole arm. Your movement will be limited and you won’t be able to stand back to see what you’ve actually done.

Travel easel / French easel / Sketching easel

Use these if you don’t have space for a studio easel, or use them for their real purpose, ainting outdoors. They are also known as box easels, (if they have a box incorporated into the structure for paint and brushes, or ‘plein air’ easels, (French for outside!).

These easels are not really heavy enough, or stable enough for professional work in the studio, but they’re good for taking out and about and better than nothing.

A table and a few odds and ends

You need a table. Ideally a nice, big table that you can keep exclusively for painting, so you don’t have to tidy away your things all the time.

Save bits of old clothing etc for rags so that you can clean your palette and brushes. You can use kitchen paper but it’s not as good.

Keep a supply of old bottles and jam jars for your white spirit.

Canvas, stretchers and other supports

Now you have your easel you’ll need something to put on it! For oil painting there are three main supports: canvas, board or paper.

Canvas

Canvas of varying textures and thicknesses are supported by a wooden stretcher, or can be glued onto a board. They are then primed with paint. This is what I’d choose to use for ‘real’ paintings. You can reuse a canvas but you lose the intial texture. You can take the canvas off the stretch and turn it the other way round, but then you lose the initial tension.

Board

For students who want something cheap and easy to practice on, I suggest buying hard board and priming it with an ordinary household emulsion / acrylic paint. Boards are also good if you want a smooth surface, but if this is going to be a masterpiece destined for the art galleries of the world, you need to buy a more up-market primer.

You can also buy commercially produced textured boards. I personally don’t like these, but I suppose it’s everyone to their own taste.

Paper

You can buy paper specially prepared for oil painting, and some have the same horrid texture as the affore-mentioned boards. You can also prime your own paper with good old household emulsion paint, but you’ll have to stretch it first.

Drawing Boards

If you work on paper you’ll need a board to support it. You can just use a piece of plywood from the building merchants or you can buy a special board. I have one of each.

Oil Paint

You don’t need to buy top quality oil paint unless you are a professional who expects their work to be hung in the Louvre. Student quality if fine for beginners. I also think that it is best to start with a limited palette of colours – white, blue, red and yellow. This will get you used to mixing your own colours. You might need a couple of reds to get a good orange and a good purple. As you work you can gradually add the colours you need. For example, I like a Viridian green which I can’t mix easily – very strong and biting. I also like a bright, saturated pink such as magenta.

I suggest you get a Titanium white, a cadmium yellow, a cadmium red, a crimson lake and an ultramarine.

Don’t buy black if you are just starting out. Beginners use black to deepen colours and this often creates muddy colours. Grey’s made with black are often dead. Mix your own darks and greys.

Oil and thinner

You will need lindseed oil to mix glazes and thin the paint, turpentine to thin the paint and you need white spirit to clean your palette and brushes. Buy the white spirit from the DIY section of your local supermarket or building suppliers. You can also use ordinary white spirit instead of turpentine to thin the paint. I’d just use that for students and beginners.

Pallets and palette knives

You can buy posh wooden palettes in ‘arty’ shapes with thumb holes and the rest, but I like to use pieces of hardboard. I like a nice big palette and I don’t like to have it too clean, (as you can see from my pictures). This is partly because I’m slovenly, but mostly because I like to retain a memory of my mixed colours.

I think you need a nice, big board so you can mix your colours without being cramped and restricted. About 500cm square would be my ideal.

Palette knives

You need a palette knife to clean your palette, but also to apply paint, depending on your style. I like a flat, or straight palette knife, but you might also like to choose a diamond knife. You could get a set so that you have the choice.

Brushes for oil paint

For beginners I think sets of brushes are a good idea. I use sable, nylon/synthetic and hogs hair. I find the first two interchangable, but the latter are good when you want a stiffer brush.

You’ll need a range of brushes from small, soft brushes with a fine tip for detailed work or fine lines, and wider brushes to get paint onto the canvas. You’ll need round brushes and flat ones. Get a range of reasonably priced brushes until you have established your style and needs.

Every artist is different

These are just my ideas, but other artists have different ideas about how to set themselves up and which materials they like. Here are a couple of other artists who share their working methods with you.